A portrait of the late German satirist, George Grosz, reflecting on his plight in America.
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From Cenedella’s "NYC Life Series," the artist pays homage to his former instructor and mentor, George Grosz, and his longtime friend, Eli Levin.
Behold the Child
An early still-life, "Behold the Child" is a homage to George Grosz. Ecce Homo (Behold the Man) was considered Grosz's most defining collection of drawings.
Also known as "The Reflection," this is one of the earliest of the "Subway Paintings Series."
In "The Fight," Cenedella depicts his parents fighting with a crowd of onlookers, paralleling a boxing match.